Pôles internationaux de production et de diffusion (International Production and Distribution Hubs, PIPD)
In 2025, the Ministry of Culture launched the International Production and Distribution Hubs (PIPD), a long-term programme forming part of the international strand of the « Mieux produire, mieux diffuser » (‘Better Production, Better Distribution’) plan, which provides ongoing support for the international development of artists and creative organisations.
This initiative marks a significant step in the Ministry of Culture’s international strategy to support artistic creation. It builds on the ambition of the former European production hubs to organise international production networks in the regions and to enhance the influence of the French arts scene abroad, whilst equipping the scheme with enhanced resources and tools.
In its first year of implementation, the programme brings together 11 hubs of organisations to which the Ministry of Culture has awarded the designation of ‘international production and distribution hub’.
What is an International Production and Distribution Hub ?
International Hubs for Production and Distribution (PIPD) are artistic institutions located throughout the country – organisations involved in the production and distribution of performing or visual arts, art colleges, and national resource centres – which come together around a shared project based on a common artistic vision and strategy, and receive long-term support, particularly financial, from the Ministry of Culture.
They have a range of objectives:
- support artists from the French arts scene in their international careers;
- produce works (performances, exhibitions, hybrid projects) by these same artists;
- organise their international distribution;
- to this end, develop long-term partnerships with foreign cultural partners;
- act as a local resource for the arts community in their region on matters of international cooperation.
An international production and distribution hub necessarily brings together several organisations. One of these acts as the lead organisation, steering the initiative.
Ministerial support is granted for a renewable period of five years, within the framework of a joint terms of reference.
Key figures
- 11 international production and distribution hubs
- An average of 4 member organisations per hub, totalling nearly 45 organisations involved in the programme
- €1.365 million allocated in 2026
- A designation awarded by decision of the Minister for Culture for a renewable five-year period
Programme coordination
Led by the Ministry of Culture — Direction générale de la création artistique (Directorate-General for Artistic Creation, DGCA) and Sous-direction des affaires européennes et internationales (Sub-Directorate for European and International Affairs, SDAEI) — in conjunction with the Directions Régionales des Affaires Culturelles (Regional Directorates for Cultural Affairs, DRAC), the programme is supported by a standing coordination committee comprising, alongside the Ministry, the key players in international cooperation and mobility:
- Institut français (French Institute) ;
- Office national de diffusion artistique (National Office for the Distribution of the Arts, Onda) ;
- Relais Culture Europe (Culture Europe Relay) ;
- On the Move.
Closely involved in defining the programme, selecting the hubs and overseeing them, these four partners help to drive the scheme forward by providing the hubs with support in the form of consultancy, project management, networking, strategic guidance and the production of thematic resources.
The hubs thus benefit from coordinated support, both individual and collective, tailored to their evolving needs and regularly updated.
Which are the first eleven hubs currently in operation ?
Performance and contemporary dance
- Points communs (National Stage, Cergy-Pontoise)
- La Briqueterie (National Centre for Choreographic Development, Vitry-sur-Seine)
- Abbaye de Royaumont Foundation (Cultural Meeting Centre)
- National Higher School of Art of Cergy
- National Dance Centre (Pantin)
Creation in public spaces, all disciplines
- Lieux Publics (National Centre for Art in Public Spaces, Marseille)
- Le Cratère (National Stage, Alès)
- L’Atelline (Stage recognised as being of national interest, Juvignac)
- FAI-AR (Marseille)
Circus arts
- La Grainerie (Stage recognised as being of national interest, Toulouse)
- Circa (National Circus Centre, Auch)
- La Verrerie (National Circus Centre, Alès)
- ESAC’TO Lido (Toulouse)
Dance for young audiences
- Le Gymnase (National Centre for Choreographic Development, Roubaix)
- L’Echangeur (National Centre for Choreographic Development, Château-Thierry)
- La Faïencerie-Théâtre (Stage recognised as being of national interest, Creil)
- Seine-Saint-Denis International Choreography Encounters
- La Maison Danse (National Centre for Choreographic Development, Uzès)
Visual Arts
- MECA (Regional Fund For Contemporary Art, FRAC, Bordeaux)
- CAPC- Museum of Contemporary Art (Bordeaux)
- Credac (Centre for Contemporary Art of National Interest, Ivry-sur-Seine)
Dance and the movement arts
- Lyon House of Dance and Biennale
- Château-Rouge (Stage recognised as being of national interest, Annemasse)
- Eclat (National Centre for Art in Public Spaces, Aurillac)
- Comédie de Genève (Switzerland)
Multidisciplinary, theatre for young audiences, relational and participatory art
- Le Volcan (National Stage, Le Havre)
- La Comédie de Caen (National Drama Centre, Caen)
Electronic and experimental music
- La Muse en Circuit (National Centre for Musical Creation, Alfortville)
- Musica Festival (Strasbourg)
- Association of National Centres for Musical Creation (ACNCM)
Multidisciplinary (contemporary writing, theatre, dance)
- Théâtre de la Bastille (Paris)
- Théâtre des 13 vents (National Drama Centre, Montpellier)
- Théâtre Joliette (Stage recognised as being of national interest, Marseille)
- National Stage of Essone (Évry)
Performing arts: theatre, dance, performance
- Le Phénix (National Stage, Valenciennes)
- La MCA (National Stage, Amiens)
- Le Manège (National Stage, Maubeuge)
- La Rose des Vents (National Stage, Villeneuve d’Ascq)
Hybrid forms, aesthetics of encounter
- Bonlieu (National Stage, Annecy)
- La Comédie de Valence (National Drama Centre)
- Associate partners: Malraux (National Stage, Chambéry)
- Comédie de Clermont-Ferrand (National Stage)
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