Notes from the Cultural Employment Observatory [1993-2006]
The Notes collection of the Cultural Employment Observatory [1993-2006]
2006
Note 47 Employment and entertainment. Synthesis of the work of the Standing Committee on Employment of the CNPS, 2006-2007
Note 46 The “new Conservatives”. Survey of curators trained by the National Heritage Institute (classes 1991-2003), F. Benhamou, N. Moureau, with the participation of F. Liot
Note 45 Employment in cultural occupations in 2004, according to the INSEE Employment survey
Note 44 Employment in the cultural sector in 2004, according to the INSEE Employment Survey
Note 43 The labour market of intermittent audiovisual and entertainment artists and technicians 1987-2003, according to the files of the Caisse des congés spectacles
2005
Footnote 42 Employment in cultural occupations in 2003, according to the INSEE Employment Survey
Note 41 Employment in the cultural sector in 2003, according to the INSEE Employment Survey
Note 40 Employment and entertainment. Synthesis of the work of the Standing Committee on Employment of the CNPS, 2004-2005
Note 39 Cultural employment in the European Union in 2002 – Framework data and indicators
Note 38 Regional entertainment employment – 2. Statistical data
Note 37 Employment in entertainment in the regions – 1. Methodological recommendations for studies
2004
Note 36 Employment in cultural occupations, based on the INSEE Employment survey 2002
Note 35 Employment in the cultural sector, based on the INSEE Employment survey 2002
Footnote 34 The labour market of intermittent audiovisual and entertainment artists and technicians (1987-2001), according to the Caisse des congés spectacles
Note 33 Employment and entertainment. Synthesis of the work of the Standing Committee on Employment of the National Council of Performing Professions (CNPS), 2003-2004
Note 32 Cultural employment in the regions, according to the 1999 Census of Population
Note 31 Employment in the cultural sector, based on the 1999 Census of Population
2003
Note 30 Employment in cultural occupations, based on the 1999 Census of Population
2002
Note 29 Employment in cultural occupations, based on the INSEE Employment survey 2001
Note 28 Employment in the cultural sector, based on the INSEE Employment survey 2001
2001
Note 27 Youth employment in culture. Uses and challenges of an employment policy.
2000
Note 26 Employment in cultural occupations, based on the 1999 INSEE employment survey
Note 25 Employment in the cultural sector, based on the INSEE Employment survey 1999
Footnote 24 Companies providing live entertainment services
Note 23 Surveys to become professional among people who have taken specialized training in the cultural field
Footnote 22 The Professional Future of Graduates of the École nationale supérieure des Beaux-arts – Classes 1992 to 1996
1999
Note 21 Employment in cultural occupations, based on the INSEE Employment Survey 1998
Note 20 Employment in the culture sector, based on the INSEE Employment Survey 1998
Footnote 19 Job seekers in cultural occupations in March 1998, according to the ANPE file
Footnote 18 The labour market for intermittent audiovisual and entertainment artists and technicians in 1996, according to the Caisse des congés spectacles
1998
Note 17 The labour market for intermittent audiovisual and entertainment artists and technicians in 1995, according to the Caisse des congés spectacles
Footnote 16 The intermittent offer of employment in the audiovisual and entertainment sectors in 1994, according to the files of the Caisse des congés spectacles. Small area data
Note 15 Job seekers in cultural occupations in June 1997, according to the ANPE file
Note 14 The professional future of state-qualified dance teachers
Note 13 Employment in cultural occupations, based on the INSEE Employment Survey 1997
Note 12 Employment in the culture sector, based on the INSEE Employment Survey 1997
Note 11 The professional becoming of former students of the National Conservatory of Drama. Grades 1986-1995
Note 10 The labour market of dance teachers in the departments of Hérault and Pyrénées-Orientales
1997
Note 9 The labour market of intermittent audiovisual and entertainment artists and technicians 1985-1994 according to the files of the Caisse des congés spectacles
Footnote 8 The careers of intermittent audiovisual and entertainment techniques. From the individual to the professional community
1996
Footnote 7 Uses of the employment solidarity contract (ESC) in the cultural field
Footnote 6 Cultural employment in 1995 according to the INSEE Employment survey
1995
Note 5 Benchmarks on cultural employment
1994
Note 4 Former students of the Conservatoires Nationaux Supérieur de Musique de Paris and Lyon from 1979 to 1990 (sd)
Note 3 Employment in live entertainment and audiovisual based on GRISS data
Note 2 Employment in cultural activities according to the INSEE Employment Survey 1992
1993
Note 1 Cultural occupations and employees in cultural activities according to the 1990 population census
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